Step away from the workspace and meet the manuscript without everything around it. A chapter, a part, or the whole book, on a page with nothing else on it.
The Lantern Road
Manuscript56,554
Part One
The Harbour
The Letters
The Grey String
The Thursday Boat
What the House Kept
A Night Unopened
The Letters
The Thursday Boat
The letters came on the Thursday boat, three of them, tied with the grey string her mother had always used. Ada did not open them at the harbour. She carried them up the hill the way one carries something that might still be warm.
Reading
Part One / The Letters
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Part One
The Letters
The letters came on the Thursday boat, three of them, tied with the grey string her mother had always used. Ada did not open them at the harbour. She carried them up the hill the way one carries something that might still be warm.
By the time she reached the house the wind had turned. She set the letters on the table beside the lamp and left them there while she made tea, as if the ordinary tasks could be made to go first.
Tomas Reyes brought the boat in late on the Friday, which he never did, and stood a long time on the quay with the rope in his hands before he tied it.
The book, without the desk
Choose Read on a scene, a chapter, a part or the manuscript, and the workspace steps back. What is left is the writing, set as a book sets it: the part, the chapter, the scenes one after another with a break between them. No tabs, no panels, no cursor.
Read it over the workspace, or take the whole window. Either way you are reading what a reader will read, in the order they will read it.
The draft reads differently when you are not holding the pen.
A thought on the way
Reading is where you notice things. Select a passage and add a comment, and it becomes a Revision Note on that scene, anchored to the words, waiting for you when you come back to write.
The thinking of a draft being revised, kept beside the writing.Revision Notes
